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Raw Bars got next

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After a Shugasmakx co-sign, he got to work on a collaboration with JR through the #StartSomething campaign. Born Bhungane Hadebe, the 20-year-old rapper has been making waves since dropping his mixtape Road to Conscious Trap in November last year. He lives up to his name on the project, delivering his signature fusion of trap beats and engaging lyrical content.

Apart from providing bars, Road to Conscious Trap reimagines classics and incorporates the work of South African greats, including the late Ray Phiri. “It’s a concept project and is how I like to make music, with samples” he says. His refreshing take on formulating songs shines through on Northern. “We switched it all the way up,” he says of the track that samples part of the South African national anthem. The result is an airy song which uses the looped vocals as the basis of the beat. The talent expressed on the mixtape is reflective of Raw Bar’s singular focus on his music.

He spends time on his craft, with a heavy focus on his live performances. “Performing with a live band is more organic,” he explains. “It’s the difference between how back in the day they recorded analog and there was a more authentic feel to it.” Rapping for Raw Bars was a calling, that he’s turned into his day job. “This is my 9 to 5. It’s the one thing that made sense to me and all I want to do.” With musical influences such as fellow East Rand rapper Priddy Ugly, he’s got all the tools for a long and healthy career in the game.

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Having already shared the stage with the likes of Riky Rick and Big Star Johnson, his latest collaboration with JR is another feather in his cap. They linked up through the #StartSomething campaign, that pairs established artists with the best up-and-coming musical talent. After wrapping the video shoot for their collab, he describes working with the 4Four hitmaker as a dope process. “When he sees something he pushes for it.” Getting to interact with an icon like JR will definitely open doors in the industry, perhaps even leading to a record deal.

In response he seems prepared for any eventuality. “I know my worth and know what I want,” he says. “If signing helps me get what I want, and what I need… then so be it.” Whatever happens with regards to contracts, Raw Bars is a name worth keeping an eye on. His upcoming EP Patience is scheduled to drop in September. The title is a signal of him knowing that good things take time and Raw Bars is determined to put in the hard yards.

He sees this upcoming release as a great opportunity to widen his reach and help in his pursuit of becoming a household name. “When the masses are ready to embrace the sound, they will.” Raw Bars got next.

The post Raw Bars got next appeared first on Live Mag.


Remembering the iconic Hip-Hop crew Prophets of da City

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Before there was Skwatta Kamp or even the long-forgotten Entity, there was a Cape Town based crew called Prophet of da City.

In celebrations of 44 years of hip-hop, we remember one of the most iconic hip-hop groups that have come out of South Africa.

The 8-man crew established in 1988 featured legends such as Ready D, Shaheen Ariefdien and vocalist Ismael. The members were all part of the underground hip-hop movement in Cape Town at that time.

Through the help of jazz artist and father of Shaheen, the crew were able to access a studio to record the first South African hip-hop album in 1990 called Our World.

Despite their strong American influence, the crew created authentically South African Hip-hop music. In the album, they featured a number of local influences including jazz, mbaqanga and Cape slang.

Existing during a tumultuous time in South Africa’s history, Prophets of da City made conscious rap cool. Through their music, they critiqued the apartheid government and being a black person during that period.

Their third album, Age of Truth, was released in 1993 in the run up to the first democratic elections and was the one that caused a lot of havoc for the group. In one of the songs in the album, Understand Where I’m Coming From, the crew declared that the “third force” in township violence was state-sponsored.

Why should I fight for a country’s glory / When it ignores me? / Besides, the township’s already a war zone / So why complain or moan?” are just some of the bars from the song.

Understand Where I’m Coming From was banned on SABC.

In another song that they recorded for the album, the crew can be heard saying “Fuck Mangope, even if we record here” after they found out they were being used in a propaganda ploy to try to legitimise the Bantustan as a sovereign state. The song never saw the light of day

Watch this conversation between founding members Ready D and Shaheen Ariefdien, as they reminisce and talk about being the first generation of hip-hop heads in South Africa and how Prophet of the City came to be:

Image: IDM Mag

Sources: Wikipedia, Bookslive

 

The post Remembering the iconic Hip-Hop crew Prophets of da City appeared first on Live Mag.

DooWap talks DJing and Deals

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From her music to her fashion style, everything about Khetsiwe Morgan is complex and eclectic.

With her luminous neon braids and the triangle tattoo placed squarely at the center of her face, Khetsiwe who is commonly known as DJ DooWap defies the very concept of ordinary.

This is evident with her music which draws inspiration from trap, future bass, electronica, and gqom.

“I’m trying to take people on a sonic journey and I’m trying to get people to hear to sounds they’ve never heard before,”

Her current fave at the moment is IAMDDB and the song is called Shade.

“She’s singing that trap vibe but she’s a woman. She’s even singing about having a girl with no panties… I don’t know – it’s hood but it’s a woman doing it and she’s owning it and it doesn’t feel uncomfortable. It’s strong and powerful; there’s something about it and the beat is a heavy base.”

Her musical taste and desire for her craft is closely linked to the Afrofuturism movement which also champions liberation and placing people of colour at the center of their own stories.

The freedom that she exudes is the same freedom that she wants for South African music as a whole.

“Imagine now if every artist spoke their mother tongue, in vernacular – big ups to Sho Majozi. That’s an undeniable artist – someone who’s speaking from their authentic, true, identity. If more people could do that… that’s what I want. But I really feel like Gqom is that, Gqom is the producers speaking from the soul. It can’t be duplicated overseas. That what I want – music that is so true to us that you can’t copy it overseas,” she says


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The DJ started who started her career on YFM has steadily been on the come up, she was recently featured in a Nike campaign.

“Everything’s great, to be honest ever since the Nike campaign dropped everything is just triple time. It was kind of like a certified vibe because if Nike is bringing you up like they did… They even gave me the chance to style a mannequin, it was so incredible – they even put me on the front window. It just showed me how much they support the femme energy vibe that’s growing so rapidly.

These days she can be found on R1WRadio where she hosts her own radio show called Basspiration or the television show Tastemakers on SABC 1.

You can also catch Doowap flex her femme energy on the 16th September at the Fak’ugesi Bloc Party, where she will be serving up soul, self, and base.

“I’m excited about Fak’ugesi because it’s gonna be music people have never heard before and that’s the whole vibe. Play music that people can open themselves to. My thing is just playing from the soul and making sure it’s a good song,” she concludes.

Listen to her mix here:

The post DooWap talks DJing and Deals appeared first on Live Mag.

Take a trip down memory lane with our Heritage Day playlist

A novel new event for the music lovers

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If you’re a music lover living in Johannesburg, you’ll know Kitchener’s Carvery Bar – where memories are made and in other cases, lost. But more seriously, it’s one of the few venues in the city that showcases not only the best of the local music scene but international acts too. Andrew Ashong, Nightmares on Wax, Kid Fonque, Melo B Jones are just a few of the voices and DJs that have kept crowds dancing and revelling til the wee hours. It is an institution.
One day we will pen a retrospective and track the roots of this old dive, but that’s a story for another post.

We want to talk about something a little different that’s bubbling at Kitchener’s. DJs, influencers, music lovers, regulars and friends of the bar are being asked to curate music events.

This weekend sees, barista, radio technical producer, freelance stage manager, music compiler and online radio music producer Mvelo Khumalo aka Mvelo (not DJ Mvelo) bring together his own line-up for a one-night-only affair called DarlingAkia.

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“I’m adding an eclectic vibe that includes mixed electronic (dance music) sub-genres aimed at merging different cultures, and specifically music lovers who aren’t into the mainstream scene.
“My main idea is to bring people together through music – and also introduce them to sounds they’re not familiar with. I also wanted to bring in people from other cities – which I hope to do more of when I host more gigs like this.

So, if you don’t know Mvelo, get to know him real quick:

What genre of music do you play? Dub techno, ambient, deep house

Who or what are your musical influences? Every producer I’ve come across

Where can we hear you play?

  • DarlingAkia, Kitchener’s, Johannesburg, Sept 30
  • The Tech House 1st Birthday at a secret location, Sept 30
  • Rocking the Daisies, Cape Town, Oct 7
  • Citytales, Durban, Nov 25

Top three events you’ve played at?

  1. The Warm Up Jozi 

It was the first gig I played in Johannesburg after years of begging for gigs … I learnt a lesson there which lead to tears after seeing the way people responded to my music.

  1. Truth Night Club ft Stimming 

Been looking up to Stimming and playing his music for the longest time, never knew one day I will play alongside my idol.

  1. “Search” Festival in Cape Town

What was amazing about that gig is that I played a set on the first day of a new year  – the first sunrise of the new year – and played to the most amazing crowd. Everyone was smiling and dancing in this little “forest” and just appreciating a stranger’s DJ Set, once again came down to tears after my set … It happens a lot without people noticing.

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PICTURED ABOVE: MVELO KHUMALO

I’d one day love to play … in Helsinki at a festival called Flow Festival

Tell us about the gig again? Why should we go?

So this gig is all about diversity in culture, race and sexuality and personal music preference but for now as my first gig I have chosen to do an electronic dance music line up and my next gig will be focusing on other sub genres.My idea behind this is to share a diverse line up, from downtempo, dub techno, electronica, lounge, deep house, and iGqom … but starting of with just a more chilled mellow vide to closing off the night with iGqom.

Which three tracks do you currently have on high rotation?

  1. Jimpster – In a analogue way
  2. Soulstice – Illusion
  3. Sounds of Blackness – Optimistic

 

The post A novel new event for the music lovers appeared first on Live Mag.

Album review: Sizwe is making conscious rap cool again

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Sizwe Mpofu-Walsch is arguably one of the hardest working young people at the moment. In between getting a PhD at Oxford University and writing an award-winning book, he also found time to record and release a Hip-hop album. Titled Democracy and Delusion, the album is an extension of his recently released book by the same name.

While many young’uns may know Sizwe as an academic or social commentator, if you are in your late twenties, you may remember his beginnings as part of the rap trio Entity. The group featured him, Nhlanhla Makenna and AKA, yes Kiernan Forbes. Considering his background, it comes as no surprise that Sizwe decided to release a hip-hop album.

While AKA has become known for his party tunes and club bangers, Sizwe took a different route for Democracy and Delusion as he tries to revive conscious rap in the country.

The album kicks off with Thina Sizwe. The song details his upbringing and explores the complexities of navigating the world with a father who was a black politician father and an activist white mother.

While personal, the song is not just about the Oxford graduate, it really is a look at the complicated history of the country.

On Thina Sizwe, his rhymes fail to capture your attention. The beat is dull. He focuses more on telling the story than the delivery of his bars. The song feels like bad early 90s hip-hop tune.

While Thina Sizwe is a disappointing start to the album, it picks up from the second song.

From Imbi Lendawo to Sifuna Umhlaba, the album references a lot of struggle songs, creating a very relatable tone to the album. It is clear that the album is not just about entertainment, it is a strategic political move.

Much like the political party that he seems to lean to Economic Freedom Fighters, Sizwe understands the power of music in South Africa.

In the past two years, the political party have released songs such as Baba Ka Duduzane and Pay Back The Money to try make young people engage with political issues.

This album is an extension of that, it is trying to reach the youth using a relevant medium

The strategy works too, by the time you get halfway through the album you will be upset. “See the hunger, the anger, now they’re praying for your defeat Marikana, Nkandla and spy tapes is deceit,” he says on The President, reflecting on the state of the nation.

The standout songs from the album are Singamasoja featuring Solo and Busisiwe Seabe and the track Mambush featuring Van-Go Linomtha.

The album is triggering and emotional. ” Give us the land if you really care, take down the shacks if you really care, ” he says in Mambush reminding us of the empty promises from our politicians. It calls on all of us to do something if we really care

At times, it seems like Sizwe is trying too hard to make songs that have mass appeal. The song Born to Fight has an electro feel and in parts, the beat of the song oddly sounds like Justin Bieber’s, What Do You Mean.

So is the album worth your time? Yes. Music plays an important part in reflecting the times, while his sound may be slightly out of touch, the message has never been more relevant

The album gets a rating of 7/10

The post Album review: Sizwe is making conscious rap cool again appeared first on Live Mag.

Shane Eagle’s career takes flight

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Shane_EagleThe rapper describes himself as “Revolutionary and a game changer.” Big talk, especially from someone who only has one album. The question is, can he really back it up?

It has been about 2 years since his appearance on The Hustle, and a lot has happened. He joined JR’s record label, and then swiftly left. He started his own label. He has had six singles, with his debut song Way Up receiving great airplay on Yfm, 5fm and Highveld.

We caught up with the rapper from Johannesburg, to find out about more about what makes him revolutionary and what he is doing to change the game.

 

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The interview and photo shoot takes place at the RHTC Playground store in Braamfontein. He is incredibly easy to work with. At the end of the shoot he asks, “Are you happy? If you’re happy – I’m happy. Frank, friendly and thoughtful, those are the words I would use to describe the 21 year old.

Not one to mince his words, he speaks clearly and passionately.

When did you realise that you wanted to make music?
In primary school. I started rapping towards end of primary school in grade 7. I took it seriously in high school. That’s when I realised that I am good at this, this is actually what I want to do. I recorded my first songs in grade 8. One of my best friends, Tackz Musiqe opened up his studio in Alexandra for me to record for free. He really was one of the first people to believe in me. That’s when I knew that I want to do this.

What is the significance of the colour yellow? Why make it the title of your album?
It’s nostalgic. Memories and sometimes visions play in my head in a like pastel yellow. I think in yellow. Everything on the album, all the stories from my childhood and all through high school that I talk about in the album, appeared to me in the colour yellow. It is the colour of my thoughts.

Take us through the writing process of Yellow
It took me about a year and a half to write everything that is on the album. I wanted to capture an honesty in the way I wrote the songs. Me and everyone who produced the album, we kinda locked ourselves sonically away from everything. We boxed ourselves in to create a unique sound. My friend Shuda Coombs produced majority of the album. What I tried to do with the beats, was to have everything produced in house. Everyone had to know each other before working on the album. It made the sound more organic. I didn’t have anything produced externally. And that’s why it sounds the way it does.

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What was the hardest track on the album to right?
Convos with God. That was the most difficult song to write on the album because I had to put myself in a place where I was chilling anywhere in the world, speaking to God – what would I say to him if he was standing in front of me? I had to put myself in a place writing where I had to have a conversation that was accurate and relevant. Relevant not just to me but to everybody else.

Do you have a favourite track?
My favourite on the album keeps changing. Every song on the album has had a time to be my favourite but if I had to put together a top 5 it would be: Aliens x Convos with God, Strange, Intro, Empty Highways and Can You See.

These all tell stories that are personal to me.In the songs, I  share some of my deepest thoughts and lived experiences.

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You once said that this album changed your life? Tell us more…

It made me realise that it’s perfectly normal and perfectly fine to be myself in every situation. There’s a note that I leave on the physical copy of the album that says “If you are yourself in every situation, that’s how you create the realest version of yourself for your reality.” Yellow made me realise that it’s okay to be myself with all the scars and all the beauty and all the drama.

Which artists do you consider musical influences?
Influences or inspirations? Because being inspired by someone and being influenced by someone is like two different things. When you influenced you sound like someone and that’s what I am trying to avoid. My inspirations definitely include Tupac, J Cole, Kendrick Lamar, Chance the Rapper, Muhammed Ali, Micheal Jackson, Chris Brown. Those are like an elite group of people who have changed the world and inspired people to be revolutionary. Those are the people that I look up to.

If you could collaborate with anybody, who would it be?
There are so many people that I would like to work with, the first name that comes to mind is 40. As an engineer he has done so much for his artists. His known for working with Drake, he has done all the recording for Drake. I’d definitely like to work with J Cole, with Chance the Rapper, Rick Rubin, Kendrick and Isaiah Rashad.

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What’s next for Shane Eagle? What can we look out for?

The next step is the classic physical hard copies of the album that are about to drop. We have this whole idea of selling the album differently because what’s the point of having an album that sounds so different, if you’re going to put it out like everybody else? We have a campaign called 20k from the Truck where our goal is to go gold “from the hands to the fans”. We plan to sell it at places like schools, everywhere really.

I will just pop out and sell signed copies of the album and we will document everything.”Listen to the music. You’ll find me in the music,” Shane says.

Whether Shane is changing the game or not is yet to be determined, but Shane is definitely leading the new school sound with music that is real.

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You can stream Yellow on Deezer and Apple Music
Photography: Cole Ndelu
Styling: Dimpho Mashile
Clothing: RHTC and Butan
Makeup: Courtney Du Plooy

The post Shane Eagle’s career takes flight appeared first on Live Mag.

21 Questions: We get to know rapper Rouge

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Rouge has been putting in the work, and it’s finally starting to pay off. If you don’t know anything about this big-haired rapper, she featured in the smash hit remix of AKA’s Baddest, collaborated on Mbongo Zaka with fellow female rapper Nomuzi Mabena and her latest single Deja Vu hit number 1 on the 5fm Top 10 at 10.

We get to know the rapper who is earning her stripes one hit at a time

Do you have a second name? What is it?
Deko, my full name is Deko Barbara-Jessica Wedi

Muesli or Coco Pops?
Coco Pops

What are some of your most irrational fears?
People poking me lol

Summer or Winter?
Summer

What are you looking for in a romantic partner?
Someone who is considerate.

Did you think you’d be where you are now (in your career) 3 years ago?
Yes I did. I really worked at this.

Do you have any hidden talents?
I can breathe out through my eye.

Early riser or late sleeper?
Early riser for sure!

Which song was the most fun to record?
Arumtumtum and Connect

What are some of your biggest pet peeves?
Rude people and terrible customer service.

Pasta, pap or rice?
Pasta but rice is my staple.

Which region in Africa makes the best food?
Congo! (P.S While Rogue is from Pretoria, she has Conogolese origins)

High heels or sneakers?
Sneakers

What’s your favourite item in your closet?
All my shorts. I love my thighs.

What is your ideal vacation spot?
The Apollo Hotel and honestly, my parents house.

What was the last song you listened to?
Post Malone- Congratulations

Who’s your favourite artist?
Logic

Monopoly or 30 Seconds?
30 Seconds

Do you play any sports?
Volleyball

What’s next for you?
Taking on the world with my music and pushing through other mediums.

What’s your favourite scent?
I have no idea. Definitely, nothing sweet.

Watch No Strings off of Rogue’s latest album

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Shekhinah: Living her life like it is Rose Gold

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The dream of becoming a singer started back in primary school for Shekhinah.

“You learn to dream big in a small place like Durban,” she says. “I remember my first performance being a school play in grade 7. Parents came up to my family after the play and were like, your child can really sing.”

The singer and songwriter then joined the church choir and that is where she where she learned to perform for different audiences.

And now, she has moved on from church choirs to dominating the music charts. Shekhinah’s growth has stunned both family and fans alike.

I meet the Suited singer at the Sony Music offices in Westdene, where I find her wrapping up another interview. Dressed in a pastel bucket hat, a grey dress and black combat boots, Shekhinah and her sister greet me warmly as we take our seats in the lounge-like room.

Since her stint on Idols in 2012, she has done a lot. She collaborated with Black Coffee and had two smash hits, one which featured Sketchy Bongo. With all that experience under her belt, her time has finally arrived. She released her debut album, Rose Gold this October.

 

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From her voice to her sound, to her features, her album Rose Gold, is a celebration of black girl magic.
“Different in my own way/ Rose Gold, baby, In my own shade, baby yeah/ Living in a new age/Guess I’m just a limited edition,” she says on Rose Gold.

The album is filled with anthems for all the alternative black girls out there. “We matter, black girls, we matter. I just think I was so sick of being overlooked and that’s why I made Rose Gold.

“I wanted to stick with a more honest, truthful, melodic vibe for Rose Gold. I was definitely trying to keep it African and it was so difficult especially since my first language is English. I did not want to sound American or British so I was very very involved in the making of the sound and in ensuring that it sounds African,” she says.

The album features three black women, Mariechan, Asali and Rouge. Shekhinah had written a song for Mariechan before, and it was at that moment that she knew that she wanted her for the project.

“I was always so obsessed with her vocal ability. For me, as a songwriter, my dream is to work with someone that can bend and stretch like she can. Asali was a varsity mate of Shekhinah’s and her unique voice and lyrics are what stood out. Rouge writes better than most men. She’s one of the few artists that work just like me and I was just so impressed by her talent and her writing.”

We chat briefly about fashion and her face lights up. She describes her style as a mix of grunge and boho. “My style inspirations include Tamara Dey. She never drops the ball. Moozlie definitely, she is really repping that sportswear glam vibe. I mean who else can pull of an Adidas tracksuit top, skirt and glitter heels at 11 am. An icon Internationally it would be Kehlani and SZA. I loved watching SZA’s style evolution from the oversized T-Shirts and boots to showing more.”

Music and fashion arent her only love, Shekhinah has also fallen madly for Johannesburg.

“Joburg is everything to me. I completely fell in love with Jo’burg. I am in love with the cultural diversity that you find here. I have never been somewhere where I’ve felt like everyone is so unique and so driven and so talented.”

The Suited singer feels that the city and its concrete jungle were like parents to her. “It brought me up and made me the person that I am today. It made me strong.”

So the album has dropped, now what? What’s next for Shekhinah? “I just want to make music. I want to put my music out there and I want to share it with the world.”

Do yourself a favour and listen to Rose Gold on iTunes or Deezer.

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Album review: Skhanda Republic 2 is the birth of a new Mr Cashtime

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The year 2014 saw the birth of a new sound, and what promised to be Mzansi’s very own independent hip-hop record label Cashtime Life.

Skhanda Republic was K.O’s first solo album – independent, and with it, pioneering a new sound with features from his then partners in the dust movement, Ma-E, Kid X, Moozlie, Vigilante and Maggz. The whole thing was looking like the ultimate win, and we saw them as the saviours of SA hip-hop, as they ushered in a new and authentic sound.

Fast forward a few years later, a lot has happened, in both the music industry and the Cashtime Life stable.

With these changes, I imagine that the Skanda Gawd aka K.O. has undergone a tremendous transformation too. From his then label mates, Maggz, Kid X, and Moozlie leaving the stable, to him no longer being as close with the ones I believe he considered family and got into the game with, Ntukza and Ma-E from Teargas.

The release of Skhanda Republic 2 was something I was patiently waiting on, for three whole years.  Mainly to hear what K.O had to say about everything, at the same time get a sense of where he is mentally and spiritually because he’s not very open outside of music so the best place to find him, was his music. This is SR2, the rebirth of the Son Of A Gun.

Open the album cover and flip through the pages, you immediately get a sense of where K.O was when he made this album. When you flip through the music credits, just after his thank you letter, there’s a montage of him in the studio, him and his private life, in the pool, with family, and his fans and it becomes apparent that for this album, K.O wanted to give himself to his fans; in front of and behind the limelight, and how it all shaped the little boy from Mpumalanga.

The opening song, Above The Water, is a rather deep introduction to the project where we see K.O take us back to the first day it all started – October 13th the day of his birth in Baragwanath Hospital. Touching on his childhood and being the second born to Jabu and Thembeni, expressing his wonder and awe on how they managed to raise them of government cheques and his father being a part-time pastor at his church.

This intro immediately makes it clear that he wanted to let us know who Ntokozo really is and where K.O draws his strength expressing himself with words like “You were raising a bunch of boys even though you never had much, mara nenza sure ukuthi ifamily isharp, no we never thank you enough. I’m puzzled to this day from just what I observed cause you had everything your babies needed, covered through the work you did for the government” and goes on to express his appreciation and apologies for the years past and mistakes he made.

Back To The Beach hitmaker, Shekhinah was a perfect feature pick for this one because I don’t see anyone other than the impressive songstress singing  “Family is all I need” and have you feeling like calling your mother and the whole family just to tell them how much you love and appreciate them.

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The album is composed in a way that it has everything that has made Mr Cashtime a household name, the kasi inspired beats, the foul mouth and effortless delivery. With that said, SK2 is very different from its predecessor, as much as it still carries the Skhanda DNA. K.O is running in a different lane here, he sounds more determined to leave a flame that will last through time and sounds more grown in terms of how he wants his sound to be. Whether this is a good or bad thing, the public’s response to it will tell all.

When it comes to KO’s singing, most fans might not all give a thumbs up. But songs like Keep Left, Pass Right I’m sure most will not complain about, the slow tempo, dark toned/ themed skit is really fascinating and makes one wonder what his mental state was when making this song cause apart from the catchy chant “you slowing me down sukendlelen’,”  the switch up to the sound clip of a man screaming with conviction “Isende lendlela, inameva Thixo wami! Iyahlaba Thixo wami!” will leave you wondering what sparked it.

K.O separated this album into two segments and a bridge like the Keep Left, Pass Right skit was a nice way to take us to the second part starting with Legacy. Here he gives us the K.O we all have come to love: the foul mouth with a hood inspired flow and ad libs, crisp beat selection, as he finesses all over the beat with words like, “I think they must have forgot who the realest, I guess they need a reminder, k’phela kwenyanga iykhwama zigcwele ama kilp’ ama 50, ama tiger!” This song is definitely going to be a lot of people’s favourite on the album.

The second edition of the Skhanda Republic is something different and it seems like everything he’s been through over the past 2 years or so with Cashtime Life and even in his personal life, deeply influenced and helped shape this album.

Skhanda Republic 2 is K.O without most of the people he had grown close with over the years. The first Skhanda Republic offering was more K.O showing that he can carry the fire one man. Faced with the pressure of coming from a successful group, Teargas which gave us anthems like Mhlobo Wami, Another Chance and actually branching off as a solo act, he gave us a more aggressive but cool him, but on this one he definitely sounds more focused and determined and you can tell he wants to prove himself to his fans, himself and maybe even to his previous teammates. This might be a representation of the birth of a new Mr Cashtime.

 

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RIP Bra Hugh: A playlist of Hugh Masekela’s most memorable songs

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23 January 2018, brought with it an immeasurable loss in music history. The father of South African Jazz, Hugh Masekela has passed away.

Bra Hugh will be remembered for a number of things from his receiving a trumpet from Louis Armstrong at 16, his career in theUSl to being a fierce advocate for justice during the Apartheid era.

Most South Africans have a piece of Hugh in their hearts in the form of a childhood memory of one of his songs. The iconic trumpeter gave his all in with every note and that is what earned him legend status.

Masekela was not without his controversy – he may even be remembered for being famous for his criticism of wigs and weaves but the thing that he will be remembered for the most, is the music.  Music has always been a part of him. He was once quoted saying, “I have lived for music since I could think.”

We had a listen to some of Bra Hugh’s most well-known songs and made a list to share. So grab a drink, pull up a chair and let’s pay homage to a great man.

RIP Bra Hugh Playlist

 

The post RIP Bra Hugh: A playlist of Hugh Masekela’s most memorable songs appeared first on Live Mag.

3 Minutes with the Godfather of Grime, Wiley

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The atmosphere at The Station Drive in Newtown is electric, the usually deserted building is  filled with gyrating bodies of Joburg’s young influencers.

Grime, Gqom beats, an excess of Jose Cuervo tequila and flashing lights transform the abandoned building into an electric 90s rave.

The headlining act and the name on everyone’s’ lips is UK hip-hop artist Wiley. Richard Cowie Jnr for the people who know him intimately. Known for speaking his mind, the English rapper has been outspoken about not straying from the roots of grime and not letting money or the industry influence the direction of his music.

As one of the most influential musicians in Britain’s grime scene, he has  a career spanning decades, 11 studio albums, 3 EPs and 12 mixtapes. Unlike the likes of Skinner and Dizzee Rascal, the thrilling performer and eccentric genius just hasn’t managed to make the crossover to pop like his peers.

I meet the Eskiboy backstage, where he’s wrapping up another interview. The rapper is dressed casually in a black tracksuit and can’t seem to stop from moving to the Gqom beats.

He greets me warmly, both of us having to shout over the sounds of the party happening below.

Wiley admits that he didn’t know that he had such a big following in South Africa. “I’m so happy,” he says sincerely.

Wiley’s performance doesn’t disappoint,his grungy beats and electrifying energy captures the audience.

“I want to big up Skepta, Stormzy and the different people who have helped to move the scene forward,” he says, giving credit to the newcomers who have carried grime into the mainstream and to the rest of the world.

 

09

 

The conversation turns to the rappers thoughts on the Gqom, the wave of music that is sweeping South Africa. “I appreciate it. It feels like home to me.”

He expresses an interest in working with a few South African artists in the future (but doesn’t go into the specifics of who). “I’m going to do a lot of work in South Africa. I want to work without the thought of money, just vibes… and the money will come.”

The interview ends with Wiley sending love to his South African fans. “I love this country, I love this place and when I love a place – I come back.”

We’re eagerly awaiting Wiley’s return to South Africa and look forward to his future projects.

The post 3 Minutes with the Godfather of Grime, Wiley appeared first on Live Mag.

AKA’s Life on the Road Episode 4

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AKA’s latest offering to the fans has come in the form of a four-part doccie called Life on the Road.

Life on the Road is exactly as the title suggests, a look at AKA’s life on the road. The story is more like a collection of inserts rather than a complete thought-out narrative. We see snippets of AKA’s life in a format that resembles a WhatsApp status or an Insta-story.

At the start of episode four we see SuperMega setting himself as the undefeated rap champion of the world. The intro holds the promise of great things to come but after the first transition it all starts to go downhill.

While watching this episode I learned what product placement is (can you say Reebok one more time Kiernan?), that AKA has a really sweet dad who is a lover of Chris de Burgh’s music and that our favourite yellow bone rapper definitely does not have a career in basketball.

Life on the Road shows us parts of AKA that we have always known, the excessive egomaniac and the talented lyricist. The shots were amazing, the editing a bit sketchy but overall it was a celebration of the life of a man that you cannot help but admire.

You really shouldn’t take my word for it. Watch the video the below and tell me what you think.

 

 

The post AKA’s Life on the Road Episode 4 appeared first on Live Mag.

Catching up with Kwesta at #LYFE

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Tshituku Ndadza caught up with Kwesta to talk about everything from the LYFE event to his music video being shown at the prestigious Para-Site Art Gallery

On 16 June 2018, YFM brought Youth Day to #LYFE with today’s most pioneering, influential and talented artists in South Africa. A string of performers kept the audience dancing and singing from noon ‘til the am with music that was nothing short of entertaining at Newtown’s Old Park Station.

Backstage, Tshituku Ndadza caught up with Kwesta to talk about everything from the event to his music video being shown at the prestigious Para-Site Art Gallery. Here is what he had to say:

Tshituku: What does it mean to be part of this event?

Kwesta: “I love [this event]. I love what it represents. It represents the South African youth and it is also for ‘Lyfe’… we need to celebrate that [the youth and life], that’s our duty, that’s our job now. We know the history of 1976 so our job is to take it further. Gigs like this promote that so I’m always for that.”

Tshituku: What is the one thing you want the youth to learn from you?

Kwesta:That I’m okay with who I am…my beliefs and everything don’t change because of the things I see in an industry. I keep my beliefs the same. I still drink beer to this day, I still go to the hood this day, I’ve never been part of the club of champagnes and everything like that – so just being you. Just make sure that whoever you are you don’t lose yourself to any industry. If they can take that from me then I didn’t do too bad a job.

Tshituku: So the “Spirit” video is being shown at the prestigious Para-Site Art Gallery in Hong Kong. How do you feel about that?

Kwesta: It’s dope it’s amazing! I wanted to tell the story of a young black South African who grew up elokshin, who understands even the visuals that we chose to use. Everybody knows those things so it’s a reminder of what it is to be South African. To have that be shown in an art gallery of that nature in another country then that means South Africa was well represented from a short video of like 3 or so minutes. I wanted it to represent the South African, and clearly the people from Hong Kong think it represents the South African and I’m glad to have been the guy that did that.

Tshituku: What are some of your highlights so far this year?

Kwesta: The World Cup– I’m kidding (laughs)… a lot has happened, there was an award show i lost i was nominated for. That was a big highlight because that motivates me, it’s what keeps me going. A friend of mine my brother Kid X is about to drop his album, just dropped his new single which really that was a big highlight for me. I don’t know man, it’s daily things you know. I wake up and my daughter is next to me. These things are highlights. We could spend an entire day and talk about the things that have been great to me, but I don’t have one specific thing that has been better than the other.

Tshituku: What kinds of things should we expect from you from here onwards?

Kwesta: I only ever promised music so, a lot of music, a lot of good music a lot of new music. I’m gonna change stuff. What I do with my music, I try and challenge myself and kind of switch, not follow a wave or anything like that. So I’m tryna find that, so as soon as I find that expect a whole lot of music, but I’m dropping something in the next few weeks…

Tshituku: Looking forward to that!

Kwesta: So am I (laughs)

Tshituku: Thank you,

Kwesta: Thank you very much.

The post Catching up with Kwesta at #LYFE appeared first on Live Mag.

“Born to Kwaito”: A Review

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The dawn of democracy in South Africa gave birth to a new sound that blended slowed down house music, bubblegum pop and elements of maskandi. The sound was called kwaito, and it celebrated township life, the youth, and being black in post-apartheid South Africa,

Over time, kwaito became the cornerstone of popular music in the country, giving birth to iconic artists such as Mandoza, Boom Shaka, Bongo Maffin, Trompies and so on. It’s place in popular culture has evolved, and some may even say that it’s glory days have passed. And it is in the book Born to Kwaito that we see both the music and culture revived.

Co-authored by Esinako Ndabeni and Sihle Mthembu, Born to Kwaito offers readers the opportunity to relive and celebrate the days of kwaito. The only difference now is that, through the help of both authors, we get to celebrate it with the benefit of hindsight- remembering the good, the bad and everything else in between.

Through a Skype chat, Esinako let us know why it was so important to celebrate, support and understand our own local music.

“I find that as much as it’s good to borrow from international communities and to… see the universal experiences of blackness and to share where we can, it’s still also important to remember who we are, because that’s the only thing we can make sense of. There are nuances to hip-hop that we will never get…there are limits to imagining ourselves as global figures and there are things within our local context that shape us.”

You definitely get a sense of this ‘shaping’ when reading co-author Sihle’s chapters. He writes out his essays by mixing journalism and theory with his own experiences as a young person born to kwaito. When speaking about the infamous show known as “Yizo-Yizo”, a series very closely tied with the kwaito movement, Sihle highlights how “Blackness had never been framed so closely, so terrifyingly, so beautifully. It felt both like baptism and drowning”. The beauty of Sihle’s writing lies in his ability to centre the reader right within the era and atmosphere of the kwaito movement.

Through the work of both writers, the reader is able to connect the dots between kwaito as a music genre with kwaito as a cultural moment, a political statement, an aesthetic and as a personal story for those who experienced it at its height.

“Kwaito was a direct product of our liberation”, says Esinako, quoting kwaito star Oskido. In the book, she describes kwaito as a cultural moment that was not only “dancing and carefree, it was also laughing in the face of oppression”.

The authors make it a point to celebrate the culture, but they don’t at all shy away from dealing with the hard truths about issues such as drugs, alcohol, and the misogyny that haunted the kwaito industry. For some readers, familiarising oneself with the discrimination and disempowerment that some artists had to deal with, especially women, might be heartbreaking. However, from this heartbreak, there is much to learn and a lot remember about the social ills that face us even today.


Esinako says that a good thing to take away from Born to kwaito is lessons. “So just because people were disempowered,it doesn’t mean that that’s how it ends. In this moment we can recognise how women are being let down and we can improve from that.”

Indeed, on a chapter titled “We need to talk about Arthur”, Sihle explores the dysfunctional and abusive relationships that Arthur Mafokate had with his some of his female artists and girlfriends (most recently with Busisiwe ‘Cici’ Twala). Arthur’s story is told in the book not only for us to understand how problematic he was as an individual in the industry. His story also appears as an example of how we as consumers of pop culture can become part and parcel of a social issue when we either continue to support problematic artists, keep quiet about them or ignore their behavior.

In this chapter, Sihle quotes feminist and musician Ntsiki Mazwai, who voiced out her opinion about Arthur facing charges of assault.

“Why are you surprised by Arthur when he has had power and control over all his women artists?” Ntsiki stated, “These men must stop being too comfortable with violence. Arthur has been exploiting young women in the industry for years.”

In their rendition of the story of kwaito, both Esinako and Sihle cover the good and the bad. It is clear that the point is not to condemn or celebrate kwaito, it is a matter of being truthful about its stories and the people it involved.

“I had anxieties around misrepresenting people or telling a single story and missing a bigger story”, Esinako expresses.

“I also had to remember that I’m not some omnipresent figure that can see everything or account for everything. And I had to remember myself from my perspective, from my positioning as a 21 year old young black woman and to move from that, but we tried to give as variant account as possible because we understand that it’s not just one story that’s happening,” she adds.

When Esinako explains this, I cannot help but let her know how incredibly good Sihle and her were at writing out the stories of kwaito in the way that they did.To take in so many different sides of kwaito and to recognise it in all its different shades and colors, as if it were a person you had to understand, is what made the book feel so in unforgettable.

The post “Born to Kwaito”: A Review appeared first on Live Mag.


Sean Pages shares childhood trauma on Twitter

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Shockwaves ran through the timelines of SA Twitter on Sunday when hip-hop artist Sean Pages revealed that he was molested as a child by his uncle. This shocking revelation came after the suicide of 23 year old law student, Khensani Maseko, who had committed suicide after being raped.

The rapper shared his story in a very emotional and moving Twitter thread where he unpacked the trauma and its effects on his behaviour “Grew up angry as a kid, always breaking people’s [things] and burning whatever I could put a match on.” Pages also revealed how scared he was to tell his mother after having his life threatened by his uncle. “[Couldn’t] even tell her coz 1 [I] didn’t even have a name for what was being done to me and 2; nigga told me he’d kill me if I did”. The Wadijaja rapper described his uncle as the most evil man he knew and “the devil himself”. He has stated that he has since healed from the incident.

Pages has urged parents to protect and support their children and has said that he wouldn’t wish what had happened to him on his worst enemy.

Thoughts, prayers and messages of support for Pages have come pouring in from fans and industry mates. Sizwe Dhlomo tweeted  “Pages! My G! It’s all love playa. You’re one of the kindest dudes I know. I’m sorry you had to go through all of this. I love you bro.” Fellow hip- hop artist Reason showed his support by tweeting “I HAVE NOTHING BUT MORE LOVE AND RESPECT FOR YOU BECAUSE OF THIS MY NIGGA! THANK YOU. AND IM SORRY.” Rapper Loot Love has also tweeted her support “Sending you so much love Pages. ♥️♥️♥️ So sorry you had to go through something so terrible but you’re really brave & thank you for sharing. Here’s to healing. God bless you. 🙏🏾♥️”

Many folks on Twitter have expressed their wishes that Sean Pages courageous act will open up dialogue about molestation and sexual abuse of children.

The post Sean Pages shares childhood trauma on Twitter appeared first on Live Mag.

A Tribute to ProKid: We celebrate the life of the Hip Hop Legend through his music

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The 8th of August 2018 marked one of saddest days for SA hip hop as the industry lost one of its most iconic giants. Hip Hop legend, ProKid died on Wednesday night after suffering a severe seizure. The Soweto musician and rap artist was known for being one of hip hop’s most skilled lyricists and for impressing audiences with original bars that weaved the ambience of township life into each song.

ProKid has opened for major international hip hop acts but his influence on the current generation of hip hop artists may be what he is most remembered for. He was one of the few artists that were able to create the transition from the kwaito era to South African hip hop while still paying tribute to both genres. While we mourn his loss, we celebrate his life and his contribution to the landscape of hip hop. Here are some of the songs that cemented the legend’s place in the halls of hip hop history.

Uthini Ngo Pro

This song has one of the catchiest hooks in SA hip hop. “Uthini Ngo” Pro was arguably one of ProKid’s most popular songs and one of the first songs that came to mind whenever the artist was mentioned.

Ungaphel’ Umoya Son

Pro was known for being empathetic and inspirational and “Ungaphel’ umoya Son” is a testament to that.

Sekele

The single “Sekele” embodies everything about Pro’s ability to embody both his local and international influences. Sekele’s infectious beat and sound has traces of black American krump music, and yet, the dancers in his music video groove to the beat of the song with mostly kwaito-styled dance movements infused with some hip hop street dancing. Pro’s “Sekele” tells us everything about his talent and ability to blend and create something new out of what has influenced him.

Soweto

ProKid has never been ashamed of his township routes and this track is an ode to his hometown. From the first few seconds, you hear the recognizable whistle that has become synonymous with Sowetan kwaito and hip hop. Pro then delivers impeccable flow and paints a vivid picture of life in the South Western Township. The excitement, oneness and even the hint of danger makes Soweto so cool that you’re proud to be from there or really envious if you aren’t a native.

The post A Tribute to ProKid: We celebrate the life of the Hip Hop Legend through his music appeared first on Live Mag.

Meet the half South-African artist behind the viral hit “Mooo”

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Get to know Doja Cat, the rapper that’s making moooves.

Twitter is in a frenzy over a new viral song MOOO!

Rapper, Doja Cat, was born in California in 1995. The colourful artist who started her career in 2013 has been described as “interesting”, “eclectic” and “trippy”. Her quirky music is not the only interesting thing that she has got going for her; Doja is also half Zulu.

Amala Zandile Dlamini is the daughter of actor, composer and producer; Dumisani Dlamini. You may remember Dumisani from his roles as Crocodile in Sarafina!, Chester in Yizo Yizo and, most recently, Mbodla in Isibaya. The veteran actor stayed in the US after the Sarafina! Tour wrapped up and started a family. He speaks very fondly of his daughter.
“Beautiful girl (who goes by) the name Doja Cat, she’s singing with Nicki Minaj. If you google you will see, it’s D. O. J. A. C. A. T, she’s one of the best singers now in America. That’s my daughter,”, he told TshisaLIVE in an exclusive interview

The song and video MOOO! Has been making waves on social media getting over 690 000 views on YouTube. A #MOOChallenge has started on Twitter where Doja encourages fans to show the world their best “moooves”.

Watch some of the best moooves here:

That’s not the only love MOOO! is getting, fans of the song have changed their handles while some fans have even claimed that the song has outshone Nicki Minaj’s new album “Queen”.

Shade thrown at Nicki's New album

The post Meet the half South-African artist behind the viral hit “Mooo” appeared first on Live Mag.

Nasty C holds his own in the United States

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Nasty C got love from Sway and SA after his appearance on Sway in the Morning

Nasty C is getting lots of love from America. The rapper was on popular hip-hop show Sway in the Morning and he did disappoint. The Switch Up hitmaker joined Sway to promote his new album Strings and Bling.The rapper performed SMA a single from the album, gave props to ProKid and spoke, among other things, about how he had to make some cutbacks from his friendships after becoming famous.

“A couple of people man. There’s… I don’t wanna say his name. But there are a couple of people that I was working with and this one person in particular, was just messing with my money and that kind of stuff. I thought I could trust him because we had to hustle together, we came up from nothing together but he changed out of nowhere.”

The interview won over the (sometimes brutal) social media critics. The consensus was that Nasty C killed it. The rapper has been making moves in the US. He recently did an interview and a freestyle on Hot 97 and made an appearance on MTV’s TRL.

You can listen to Strings and Bling on iTunes and Spotify.

Read more on Nasty C here:

Nasty C talks awards, being let down by AKA and how Cassper saved the day

Album Review: Bad Hair

The post Nasty C holds his own in the United States appeared first on Live Mag.

The nominees for the Dance Music Awards South Africa are out

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Your votes have spoken and here are the nominees

South African dance music fans have made their voices heard and nominated their favourite artists for the second annual Dance Music Awards. The fairly young awards ceremony has had no difficulties getting Mzansi’s dance music fans to participate. The nominating process was finalised on the 22nd of August. “With a total of 20 great categories this year, the public response has been phenomenal with almost double the number of votes than last year,” says Dance Music Awards South Africa’s rep Kyle Worde.

Dance Music Awards SA

The voting for each award category will be driven strictly by social media and online interaction on the Dance Music Awards official website, this means that no “panel” will decide on the winners. The public has been given the power to choose their winners.

Last year’s big winner, Black Coffee, leads this year’s nominees with three nominations. He is followed closely by the current kings of gqom, Distruction Boyz, with two nominations.

Voting closes on the 19th of September. You can vote for your favourite here. The awards ceremony will also be conducted online on the Dance Music Awards website, where the winners for each category will be announced..

Check out the full list of nominees below:

Best Male DJ

Black Coffee
KaySoul
Kyle Cassim
Kyle Watson
Shimza

Best Female DJ

Lady Sakhe
Dj Buhle
DJ Miz-Dee
SimStar
Lady Lea

Best Producer

Sir LSG
Kususa
Nuno (SEA)
DJ Prospect
Funky Qla

 
Best Live Act

Black Motion
Goodluck
DJ Tira
Mi Casa
Goldfish

 
Best Festival

Picat’s Italian Elegant Experience
Rock Da Shades
Spring Fiesta
Ultra
H2O

 

Best Music Video (From Dance Artist)

Londie London – He goes
Khubu feat. Ian H – Round n Round
Rabs Vhafuwi FT Zak Leigh – I’ll Be There
Jimmy Nevis – Stay in your lane
Sun-EL Musician – Sonini feat. Simmy & Lelo Kamau

 

Best Male Vocalist of the Year

Ziyon
Apple Gule
Mr Mo
Lazarusman
Langa Mavuso

 

Best Female Vocalist of the Year

Ms Dippy
Londie London
Sio
Jackie Queens
Lady Zamar

 

Best Record Label

House Afrika Records
Just Move Records
Ohyea Muziq
Stay True Sounds
MudPie Records

 

Compilation of The Year

House Afrika Mzansi House Vol.7
DJ Adee – Son of a Pitch
Stay True Sounds Beat series Vol.1
Das Kapital Presents Overtime Vol. 2
Matters Of House – Glen Lewis

Album of The Year

Dwson – Impulsiv
Da Capo – Indigo Child
Enosoul – In2Deep Volume 4
Sun-El Musician – Africa To The World
Rabs Vhafuwi – 9 Provinces

 

Remix of The Year

Hans Seance – Elanora (KaySoul Remix)
Cornelius SA feat. Jackie Queens – Feel It Now (Kususa Remix)
Kid Fonque & D-Malice ft. Khensy – Tshamiseka (Dwson Remix)
Babes Wodumo – Wololo (Remix) ft. D’Banj
Afro Warriors ft Toshi- Uyankenteza (Fka Mash Glitch Dub)

 

Best International DJ

Ralf Gum
Lars Behrenroth
Black Coffee
Rocco
Atjazz

 

Best International Producer

Atjazz
Lars Behrenroth
deadmau5
Black Coffee
Rocco

 

Best Club Night / Night Club

Pisto’s Lounge (CT)
Truth Night Club
And Club
ToyToy
Reset (CT)

 

Best House Record of the Year

DJ Ganyani Ft. Nomcebo – Emazulwini
Pierre Johnson – Movin’ on
Dwson – Forbidden (ft. Sio)
Londie London – He Goes
Cornelius SA feat. Jackie Queens – Feel It Now

 

Best Gqom Record of the Year

Da Fresh x Athie – Formation
Distruction Boyz- Madness ft Tipcee
Distruction Boyz – Omunye
Dladla Mshunqisi Ft Distruction Boyz & DJ Tira – Pakisha
Babes Wodumo – Ganda Ganda

 

Best EDM Record of the Year

Cinimin – You & Me ft. Amy Jones
Mark Stent ft Basel Grey – On our Knees
Das Kapital & Bart B More – Hit The Club [This Ain’t Bristol]
Dean Fuel – Loving Me Wrong
Cornelius SA feat. Jackie Queens – Feel It Now (Original Mix)

 

Best Underground Record of the Year

DJ Funky & DJ Lag – 3 Turns
Da Fresh x Athie – Formation
Pierre Johnson & !Sooks – Miles Away
Da Kruk ft. Lili K & Gaba Cannal – Magic
Apple Jazz ft. Slaga & Idelan – Amadlozi

 

Best Dance Radio Show Award

Urban Beat – Metro FM
5FM Selective Styles with Kid Fonque
InDasWeTrust (5FM) – Das Kapital
Kyle Cassim – The Kyle Cassim show, 5FM
Da Kruk on #ThePlayersClub (YFM)

The post The nominees for the Dance Music Awards South Africa are out appeared first on Live Mag.

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